Kat Smith accepted into FIFA Coach Mentorship Programme

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FA Kat Smith

Football Australia has announced that CommBank Junior Matildas Assistant Coach and Analyst – and newly appointed Western Sydney Wanderers Head Coach Kat Smith – has been named as one of 20 female coaches to be accepted into the second edition of the FIFA Coach Mentorship Programme.

The program will see 20 female coaches from across the globe mentored by some of the leading figures in coaching, including Australians Tom Sermanni and Joe Montemurro.

Smith, who has been paired with Athletic Bilbao Women’s head coach, Iraia Iturregi, is thrilled to be presented with further opportunities to continue her development in her chosen profession.

“I am incredibly honoured and grateful to have this opportunity and am appreciative of the support of Football Australia, who championed my application to be a part of the programme,” Smith said in a statement.

“It pays homage to those that have backed me in the past and opportunities I’ve had because of their belief.  I am extremely excited about the possibility of continuing my coaching journey and fortunate to expand my expertise and experiences through accessing a global network.”

An AFC Pro-Licenced coach, Smith’s involvement in the game spans 20 years, with the now Western Sydney Wanderers head coach having been involved at all levels of women’s football.

Her football career has seen her hold positions as a Skills Acquisition Trainer, National Premier Leagues Technical Director (Green Gully FC), a Team Manager, NPL Head Coach (Galaxy United and Alamein FC), Liberty A-League Women’s Assistant Coach (Melbourne Victory), Australian Opposition Analyst for the 2019 FIFA Women’s World Cup and CommBank Junior Matildas Assistant Coach and Performance Analyst.

With extensive experience already in varied positions, Smith is hoping that the Programme adds to her understanding of her profession for the betterment of the players she coaches.

“This opportunity, I’m hoping, brings a wealth of experience and knowledge from across the globe to open my mind to new ways of doing and thinking in the game.  With the high calibre of Mentors, it will provide challenges that lead to growth and harness courage,” she added.

“I want to explore how that knowledge can be brought back to platforms and programs here in Australia that help shape further growth initiatives in our game and allow us to better equip the next generation of athletes for the world stage.

“On a personal level, this Programme allows for that individual and professional development to happen on the job, and that’s what you want. With this set-up, you can apply new learnings and new skills and continue to develop your craft so you are having the most positive impact you can on the game.”

 

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Netflix’s Women’s World Cup deal puts IMG’s technology in the spotlight

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Netflix’s first exclusive football deal will see the next year’s FIFA Women’s World Cup at the centre of it’s live-sport strategy. The US-streaming service company has appointed IMG as its production partner for all 64 matches in Brazil, as well as more than 100 hours of live studio programming. The deal includes English and Spanish coverage for viewers within the US, and English and French-language coverage for those in Canada. IMG will also support Netflix’s coverage of the tournament’s draw in December.

The 2027 Women’s World Cup runs from June 24 to July 25 across eight host cities, and will be the first edition to feature 32 teams. The scale of the tournament makes it an ambitious first foray into sports broadcasting for Netflix – which means IMG’s involvement will be of great significance.

IMG’s production engine

IMG has built its reputation on producing and distributing live sport at scale. It’s Stockley Park, London facility includes broadcast studios, production galleries, edit suites and facilities for radio, podcasting, dubbing and visual effects. The company has worked across major properties including the Premier League, Major League Soccer and other international sporting events.

For a World Cup, this infrastructure provides more than a place to make television; it creates a central point where production teams can manage feeds, graphics, replays, commentary, editing and distribution while events are taking place thousands of kilometres away.

Remote production is the key

The most important technology for a tournament spread across eight Brazilian cities is connectivity. IMG has invested in remote-production workflows that allow production teams to work across locations, rather than putting every specialist inside each stadium. Its wider production operation has used fibre, satellite, cloud and IP-based connectivity to move live signals between venues and production centres.

That model can reduce the amount of equipment and specialist staff required at every venue while allowing senior producers, directors, replay operators and graphics teams to work from centralised facilities. IMG has also demonstrated long-distance IP production, including a 20,000-kilometre link between Tokyo and London that carried uncompressed, low-latency video. For Netflix, those capabilities are particularly relevant. The platform is building a single viewing experience for audiences in two markets, but the raw ingredients will come from stadiums spread across Brazil. A resilient network becomes just as important as the cameras themselves.

From stadium to stream

The technology chain does not end when the pictures leave the venue. A modern sports production operation has to manage ingest, replay, media asset management, graphics, audio, quality control, archiving and transmission. IMG’s facilities have been built around those workflows, with master control and transmission capabilities alongside post-production and archive operations.

That infrastructure also gives IMG the ability to turn the live tournament into a wider stream of content. A goal can become a replay, a highlight, a social clip or part of a studio package without waiting for the match to finish. For Netflix, that fits a platform built around on-demand discovery as much as live viewing.

A new test for Netflix

Netflix has already made a significant investment in football through documentaries and other programming. The 2027 Women’s World Cup takes it up a level. FIFA describes the agreement as the first competition Netflix has acquired in full, making the tournament a major test of its live sports operation. IMG therefore has a job that goes beyond producing 64 matches; it must help Netflix build the technical backbone for a month-long, multi-venue broadcast, while maintaining consistent production standards across languages and locations.

The viewer may simply press play and see a World Cup match appear instantly. Behind that button will be a complex network of cameras, connectivity, control rooms, production systems, people and data. That is the real significance of Netflix’s IMG deal: the streamer is bringing the tournament to its platform, but IMG is providing much of the machinery that can make a global football event feel seamless.

Australian referee strike ends ahead of new A-League season

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Australia’s referee crisis is over as Football Australia (FA), the Australian Professional Leagues (APL) and the Professional Football Referees Association (PFRA) have reached an agreement ahead of the 2026/27 domestic season.

The deal ends industrial action that began on September 4th. Nearly 100 of Australia’s top referees had refused appointments during the dispute. The agreement provides immediate certainty for officials. It also clears the way for Australia’s top referees to return for the Australia Cup Final this week and the opening rounds of the A-League Men and Women competitions.

Under the new framework, referees will be contracted and employed exclusively by Football Australia. The APL will cover the cost of referees appointed to A-League matches. The arrangement runs through the end of the 2026/27 season. The three organisations will continue discussions on a longer-term structure for elite refereeing in Australia.

The agreement resolves the central dispute between the parties. Football Australia had proposed shifting responsibility for A-League referees to the APL. The referees opposed the move. They raised concerns about employment certainty. They also questioned the independence of referees working under a league controlled by the clubs they officiate.

The dispute had already disrupted Australian football. Singaporean officials were brought in for the Australia Cup semi-final between Sydney FC and Melbourne Victory. Rookie Australian officials also took charge of another Cup fixture during the strike. The crisis therefore moved beyond a contractual disagreement. It affected the delivery of major matches.

The A-League Men season begins on October 16 with the Sydney derby at Allianz Stadium and the A-League Women season will also begin in October. The agreement solves the immediate problem. It does not end the wider debate over refereeing in Australian football.

FA, the APL and the PFRA must now build a sustainable model for elite officials. The strike exposed uncertainty around contracts, funding and governance. Those issues cannot return every time a new season approaches. Australian football can moves forward, but this is an issue that should be reviewed for the sustainability of Australian referees.

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