Taka Grips: The high-performance grip socks making a difference

Taka Grips is a high-performance grip socks company based in Sydney, with the overall aim of improving player performance and comfort on the field.

Liam McConaghy, the founder of the business, explained to Soccerscene that his own personal experiences of discomfort on the pitch inspired him to find a viable solution to issues affecting his game.

“It was actually November last year, so not that long ago, we started back at preseason – I play in NPL NSW and I was signed for St George at the time,” he said.

“What happened was we were training on an artificial turf on a Sunday and it was really hot (it was coming into summer) and my feet were just getting torn to shreds.

“There were just the worst blisters and I could feel the friction inside my boot – so I thought to myself I need to find a fix and investigated what all this grip sock business was about.”

He personally never had owned a pair of grip socks, but was left dismayed by the prices he saw online for the item, which prompted him to try and start his own business.

“I got online to buy some and they were $70 a pair,” McConaghy said.

“So, I guess I just had a thought to myself (about creating the business), it just sort of started off as one of those ideas.”

A PE and Design and Technology teacher by trade, McConaghy used his expertise in these areas to devise his product at a much more affordable price of $30.

“I have got a bit of experience and training with graphic design and that sort of thing, so I had a bit of a play around and contacted some suppliers and manufacturers and eventually, one thing led to another.”

The sock itself is made with durable and lightweight material, however its custom grip placement and advanced technology is specifically beneficial for players looking to improve their change of direction, speed, agility and enhance their comfort.

“The socks have got these little grip pads that are basically pressed into the socks through a high-heat glue gun,” McConaghy said.

“I’ve strategically placed them all over the bottom of the sock in places where you would have the most pressure inside your boot. So for example, around the ball of the foot and the back of the heel – I made sure mine came up the back of the foot, so you wouldn’t get that slippage in the back of your boot where a lot of the blisters happen.

“Essentially what happens is you don’t slide around in your boot, so without any friction in your boot you don’t get blisters and it’s better for your movement.”

Taka Grip Socks – White

Although only recently launching the business, the socks have gathered an immediate following and appreciation from professional football players in the A-League and around the world, in leagues such as the J-League.

“I’ve pretty much been playing NPL1 since I was 14 years old, I used to play with the likes of Massimo Luongo and Aaron Mooy,” McConaghy said.

“So, I’ve got old contacts through playing and reached out to a few people and asked if they’d like to wear them, which they were more than happy to and from there more doors have opened.”

Other professional players from different codes including NRL and AFL have also been using the product, with the socks now entering more sports department stores around Australia.

Social media, particularly the company’s Instagram page, has increased the profile of the grip socks to a wider audience, but possible future partnerships with football clubs and state federations across Australia is a logical next step, according to McConaghy.

“While I have thought about expanding into different clothing down the line, firstly it would be good to be able to get some clubs onboard with Taka Grips through a sponsorship, supplying the whole club from juniors through to first grade,” he said.

In the present however, McConaghy is proud of the work he has done so far and how quickly the product has already grown.

“I am very proud, because it sort of just started out of nowhere,” he said.

“I literally just thought let’s give it a crack, apart from some help from my girlfriend I’ve pretty much done it all myself.

“It makes me proud, especially when I look at the calibre of people who are wearing them.”

For more information on Taka Grips visit their website here: https://www.takagrips.com.au/

 

 

Previous ArticleNext Article

A-Leagues partners with Champion Data to enhance broadcast experience

The Australian Professional Leagues (APL) has appointed Champion Data as its official broadcast graphics partner in a three-season agreement designed to enhance coverage of the Isuzu UTE A-League Men and Ninja A-League Women. The partnership will introduce Champion Data’s live graphics technology across broadcasts on Network 10 and Paramount+, delivering real-time statistics, scores and visual insights to help fans follow the action.

Champion Data will use its proprietary GGi platform to connect match data with broadcast graphics and production workflows. The system will support the delivery of clear, engaging information throughout matches, giving viewers greater insight into key moments and performances. The agreement also strengthens the APL’s commitment to improving the broadcast presentation of women’s football. Champion Data will bring the Ninja A-League Women’s production standards into alignment with the men’s competition, supporting a more consistent viewing experience across both leagues.

The APL expects the partnership to enrich its broadcast offering as audiences seek deeper insights and more engaging ways to follow Australian football. The new graphics package will help viewers understand match developments, track statistics and connect with the stories unfolding on the pitch. Champion Data will manage technical delivery, train broadcast operators and provide live matchday support throughout the agreement. This end-to-end approach will help production teams deliver accurate information and consistent graphics across both competitions.

The partnership builds on Champion Data’s experience in sports data collection, analytics and broadcast technology. They currently provide statistics for the AFL, V8 Supercars and Tennis Australia alongside many others. By integrating live match information with on-screen graphics, the company will help bring the tactical detail and drama of A-Leagues football to television and streaming audiences.

As the APL continues to develop its broadcast product across television and digital platforms. The partnership positions Champion Data as a key technology provider for the next three seasons. The collaboration will combine data expertise and broadcast innovation to improve how fans experience Australian football, bringing greater clarity, context and insight to every match.

Netflix’s Women’s World Cup deal puts IMG’s technology in the spotlight

Netflix’s first exclusive football deal will see the next year’s FIFA Women’s World Cup at the centre of it’s live-sport strategy. The US-streaming service company has appointed IMG as its production partner for all 64 matches in Brazil, as well as more than 100 hours of live studio programming. The deal includes English and Spanish coverage for viewers within the US, and English and French-language coverage for those in Canada. IMG will also support Netflix’s coverage of the tournament’s draw in December.

The 2027 Women’s World Cup runs from June 24 to July 25 across eight host cities, and will be the first edition to feature 32 teams. The scale of the tournament makes it an ambitious first foray into sports broadcasting for Netflix – which means IMG’s involvement will be of great significance.

IMG’s production engine

IMG has built its reputation on producing and distributing live sport at scale. It’s Stockley Park, London facility includes broadcast studios, production galleries, edit suites and facilities for radio, podcasting, dubbing and visual effects. The company has worked across major properties including the Premier League, Major League Soccer and other international sporting events.

For a World Cup, this infrastructure provides more than a place to make television; it creates a central point where production teams can manage feeds, graphics, replays, commentary, editing and distribution while events are taking place thousands of kilometres away.

Remote production is the key

The most important technology for a tournament spread across eight Brazilian cities is connectivity. IMG has invested in remote-production workflows that allow production teams to work across locations, rather than putting every specialist inside each stadium. Its wider production operation has used fibre, satellite, cloud and IP-based connectivity to move live signals between venues and production centres.

That model can reduce the amount of equipment and specialist staff required at every venue while allowing senior producers, directors, replay operators and graphics teams to work from centralised facilities. IMG has also demonstrated long-distance IP production, including a 20,000-kilometre link between Tokyo and London that carried uncompressed, low-latency video. For Netflix, those capabilities are particularly relevant. The platform is building a single viewing experience for audiences in two markets, but the raw ingredients will come from stadiums spread across Brazil. A resilient network becomes just as important as the cameras themselves.

From stadium to stream

The technology chain does not end when the pictures leave the venue. A modern sports production operation has to manage ingest, replay, media asset management, graphics, audio, quality control, archiving and transmission. IMG’s facilities have been built around those workflows, with master control and transmission capabilities alongside post-production and archive operations.

That infrastructure also gives IMG the ability to turn the live tournament into a wider stream of content. A goal can become a replay, a highlight, a social clip or part of a studio package without waiting for the match to finish. For Netflix, that fits a platform built around on-demand discovery as much as live viewing.

A new test for Netflix

Netflix has already made a significant investment in football through documentaries and other programming. The 2027 Women’s World Cup takes it up a level. FIFA describes the agreement as the first competition Netflix has acquired in full, making the tournament a major test of its live sports operation. IMG therefore has a job that goes beyond producing 64 matches; it must help Netflix build the technical backbone for a month-long, multi-venue broadcast, while maintaining consistent production standards across languages and locations.

The viewer may simply press play and see a World Cup match appear instantly. Behind that button will be a complex network of cameras, connectivity, control rooms, production systems, people and data. That is the real significance of Netflix’s IMG deal: the streamer is bringing the tournament to its platform, but IMG is providing much of the machinery that can make a global football event feel seamless.

Most Popular Topics

Editor Picks

Send this to a friend