Japan, Redemption and a World Cup Shot: Why Tom Glover Is Betting on Himself

When Tom Glover, the former Melbourne City goalkeeper, jets to Japan in mid-January and lines up for Japanese J-League 2 club RB Omiya Ardija, firmly entrenched in his mind will be the prospect of selection in the Socceroo squad for the World Cup Finals during the North American summer of 2026.

Little would he have known when first asked to don a pair of gloves in a U/10 futsal final all those years ago that he could be part of the Greatest Show on Earth.

“Until this time, I played as a striker, but my progress to U/11s and U/12s representing Sutherland Sharks was rapid, which vindicated my change to goalkeeping,” says Glover.

Glover’s pathway as a goalkeeper was clearly mapped out at this early stage, as he participated in the Project 22 program at Football NSW on Monday, Wednesday and Thursday, and on Tuesday and Thursday with former Canberra NSL custodian Ron Tilsed at Sutherland Sharks.

“Tilsed fast-tracked my career when he had me training with the first team at the age of thirteen, and well-known coach John Haynes threw me in at the deep end in the U/20s when I was only fourteen,” added Glover.

The dream of a lifetime occurred when Tom Glover went to Tottenham Hotspur for a six-week period at the tender age of fourteen.

In the following year, Glover received a call from Spurs to return so they could have another look at him. After the three-month viewing, he was offered a scholarship.

Tom Glover pursuing his World Cup dream ahead of the 2026 tournament
Tom Glover pursuing his World Cup dream ahead of the 2026 tournament

Glover remained at Spurs for seven years before returning to Australia in August 2019 to sign with Melbourne City.

“I had offers from lower leagues in England, but my preference was to play at the highest level in men’s football because my appearances for Spurs had been confined to the U/21s.

“Therefore, the plan was to play in the A-League and eventually return overseas.”

“On reflection, the experience at Spurs was incredible, especially when I was involved in shooting training with the likes of Harry Kane, who I learned so much from.

“In the goalkeeping department, I was exposed to the legendary Northern Ireland keeper Pat Jennings, former USA and Spurs keeper Brad Friedel, and I also worked with Hugo Lloris, the former French number one.

“Also, to be on the same training ground as superstars Christian Eriksen, Mousa Dembélé and Jan Vertonghen was something, as a young player, you would never think possible.”

Glover’s signing at Melbourne City wasn’t an immediate success because he had to wait from August until December 2019 to claim a first-team place from Dean Bouzanis.

Once that transpired, he never looked back.

In total, Glover made 107 first-team appearances for City before leaving for Middlesbrough in July 2023.

“I really matured as a keeper at Melbourne City and still have many great memories and close friends at the club.

“Nevertheless, the time had arrived when the overseas opportunity came beckoning again.”

Middlesbrough is a club with a proud tradition of Aussie players who have worn its colours proudly, including the immortal Craig Johnston, Mark Schwarzer, Paul Okon, Mark Viduka, Scott McDonald, Luke Wilkshire, Brad Jones, Tony Vidmar, Rhys Williams, and most recently Riley McGree and Sam Silvera.

“Mark Schwarzer even has a pasta named after him which is served in the club canteen, and there is still a photo of him at the training ground.”

At Middlesbrough, Glover didn’t play as much as he would’ve liked but was part of a strong Carabao Cup run when the club reached the semi-finals in January 2024 before being defeated heavily in the second leg by Chelsea at Stamford Bridge.

“Previously, we had beaten Leicester City 1–0 at the King Power Stadium and gained a 1–0 home win in the first leg against Chelsea.

“However, in the return leg, the Chelsea scoring machine progressed into top gear and put six goals past us, with Cole Palmer scoring two and Enzo Fernández and Morgan Rogers scoring one each.

“There was a touch of irony because I had been a Chelsea supporter since childhood, and playing at Stamford Bridge was a highlight of my career and one I’ll never forget, despite the 6–1 scoreline.”

This was a challenging time for Glover, as he only played 29 matches for the club from July 2023 until September 2025, when he was given a free transfer.

Yet he has no regrets about being at the club, despite his limited game time.

“It was hard to dislodge the first-choice keeper, Sol Brynn, who was a local product and popular with the Middlesbrough supporters.

“Both Michael Carrick, the former manager, and Rob Edwards, the recently departed manager, were always fair with me, and I left the club knowing I had always played to the best of my ability when selected.”

Now Glover has an exciting opportunity with RB Omiya Ardija, which all begins on February 6 when he is scheduled to play 18 matches up to the start of the World Cup Finals commencing on 11 June.

He could’ve gone to Queens Park Rangers but wasn’t guaranteed regular first-team football.

There were also offers from the MLS and the Saudi League.

“I just saw more potential playing in Japan, where football is booming.”

It’s now an exciting prospect for Glover to play every week so he can prove to the Socceroo coaching staff, particularly goalkeeping coach Frank Juric, that he should be selected for the North American colossus.

“Although the club is currently in J-League 2, it has just been bought by the Red Bull Corporation, so there is a great vibe for the future to gain promotion to the J-League.

“The stadium is boutique, holding 15,000, but it feels like 20,000 due to the marvellous atmosphere which the fans create.

“There are five foreigners in the squad, including myself.”

Tom Glover has made thirteen appearances for the Olyroos, being the number-one choice at the Tokyo Olympics, and has attended ten senior Socceroo camps between June 2023 and September 2025.

However, he has not been capped for the Socceroos, but now that he will be playing regularly, he has every chance to make the final squad for North America.

“I can only control from my end by playing every week and putting in good performances to give the selectors a headache in considering me being number one in the squad.”

Certainly, he has stern competition for a place, with Mat Ryan returning to form in Spain, Paul Izzo playing consistently in Denmark, and Patrick Beach experiencing his first taste of international football against Venezuela.

One thing there is no doubt: Tom Glover will do everything in his power to make that World Cup dream come true.

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Netflix’s Women’s World Cup deal puts IMG’s technology in the spotlight

Netflix’s first exclusive football deal will see the next year’s FIFA Women’s World Cup at the centre of it’s live-sport strategy. The US-streaming service company has appointed IMG as its production partner for all 64 matches in Brazil, as well as more than 100 hours of live studio programming. The deal includes English and Spanish coverage for viewers within the US, and English and French-language coverage for those in Canada. IMG will also support Netflix’s coverage of the tournament’s draw in December.

The 2027 Women’s World Cup runs from June 24 to July 25 across eight host cities, and will be the first edition to feature 32 teams. The scale of the tournament makes it an ambitious first foray into sports broadcasting for Netflix – which means IMG’s involvement will be of great significance.

IMG’s production engine

IMG has built its reputation on producing and distributing live sport at scale. It’s Stockley Park, London facility includes broadcast studios, production galleries, edit suites and facilities for radio, podcasting, dubbing and visual effects. The company has worked across major properties including the Premier League, Major League Soccer and other international sporting events.

For a World Cup, this infrastructure provides more than a place to make television; it creates a central point where production teams can manage feeds, graphics, replays, commentary, editing and distribution while events are taking place thousands of kilometres away.

Remote production is the key

The most important technology for a tournament spread across eight Brazilian cities is connectivity. IMG has invested in remote-production workflows that allow production teams to work across locations, rather than putting every specialist inside each stadium. Its wider production operation has used fibre, satellite, cloud and IP-based connectivity to move live signals between venues and production centres.

That model can reduce the amount of equipment and specialist staff required at every venue while allowing senior producers, directors, replay operators and graphics teams to work from centralised facilities. IMG has also demonstrated long-distance IP production, including a 20,000-kilometre link between Tokyo and London that carried uncompressed, low-latency video. For Netflix, those capabilities are particularly relevant. The platform is building a single viewing experience for audiences in two markets, but the raw ingredients will come from stadiums spread across Brazil. A resilient network becomes just as important as the cameras themselves.

From stadium to stream

The technology chain does not end when the pictures leave the venue. A modern sports production operation has to manage ingest, replay, media asset management, graphics, audio, quality control, archiving and transmission. IMG’s facilities have been built around those workflows, with master control and transmission capabilities alongside post-production and archive operations.

That infrastructure also gives IMG the ability to turn the live tournament into a wider stream of content. A goal can become a replay, a highlight, a social clip or part of a studio package without waiting for the match to finish. For Netflix, that fits a platform built around on-demand discovery as much as live viewing.

A new test for Netflix

Netflix has already made a significant investment in football through documentaries and other programming. The 2027 Women’s World Cup takes it up a level. FIFA describes the agreement as the first competition Netflix has acquired in full, making the tournament a major test of its live sports operation. IMG therefore has a job that goes beyond producing 64 matches; it must help Netflix build the technical backbone for a month-long, multi-venue broadcast, while maintaining consistent production standards across languages and locations.

The viewer may simply press play and see a World Cup match appear instantly. Behind that button will be a complex network of cameras, connectivity, control rooms, production systems, people and data. That is the real significance of Netflix’s IMG deal: the streamer is bringing the tournament to its platform, but IMG is providing much of the machinery that can make a global football event feel seamless.

Oz Shipping Containers expands Newcastle Jets partnership with front-of-shirt move

Newcastle Jets have upgraded their relationship with Oz Shipping Containers, with the Newcastle-based business becoming Principal Partner of the A-League Men’s team for the 2026/27 season.

The agreement represents a significant increase in the company’s involvement with the club, moving from a sleeve sponsorship last season to the front of the Jets’ men’s playing shirts.

Oz Shipping Containers will feature on the club’s home, away and goalkeeper kits throughout the campaign, giving the business a substantially larger presence across matchday, broadcast and club content.

The partnership also provides another example of the Jets developing commercial relationships with locally based businesses and increasing their investment over time.

Oz Shipping Containers specialises in the supply and modification of shipping containers, serving customers across residential, commercial and industrial markets.

Newcastle Jets Executive Chairman Maurice Bisetto said the club was excited to build on the existing partnership.

“It is great to continue our close association with a successful local business operating on a global stage,” Bisetto said.

The expanded partnership comes as the Jets prepare for a season that will include both A-League Men’s football and AFC Champions League Elite competition, increasing the club’s exposure across domestic and Asian markets.

For Oz Shipping Containers, the front-of-shirt position provides a much broader platform than its previous sleeve placement, putting the brand at the centre of the Jets’ visual identity throughout the season.

With the Jets entering a new campaign as defending Australia Cup champions and competing in Asia, Oz Shipping Containers will now have a significantly larger platform through which to build its association with the club.

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